Switzerland-based jewellery designer Coline Gros blends organic and animal-inspired forms with bold, sculptural design under her brand 111Leeloo. Rooted in contrasts, like violence and softness, beauty and danger, her creations question conventional notions of adornment and invite a unique interaction with the body.

Agnes Koligan values a slower, more intuitive approach to design. She began her career in Paris working across prints and embroideries for leading fashion houses. Choosing to step away from fast production cycles, she now focuses on creating contemporary amulets that empower both maker and wearer, connecting past and present — intimate objects that carry traces of memory, protection, and a sense of belonging to a personal tribe.

Athelena combines architectural knowledge with craftsmanship and digital manufacturing techniques to create pieces where structure, material, and form converge. Founded by architect and designer Elena Njeim, Athelena reflects a commitment to supporting local craftsmanship and small businesses, fostering meaningful collaborations that honors artisanal heritage and responsible production.

Working between Florence and Toronto, Bianca Perisa creates sculptural jewellery inspired by memory, desire, and the traces left behind by time. Her latest collection, The After Party, draws on the late 17th century, the Baroque and Rococo eras. Everything is handmade in small batches or as one-of-a-kind pieces, ensuring every item carries its own subtle variations.

Born in Italy and based in London, Carola Solcia’s work explores the intimate relationship between how the body experiences and transforms objects. Merging digital techniques such as laser engraving with traditional handcraft, Solcia abstracts familiar jewellery archetypes into a delicate, artisanal collection that honours personal history and memory.

Carraic O'Donnell is a contemporary jewellery designer and graduate of Central Saint Martins whose work transforms everyday hardware into sculptural adornment. The “Button” collection reimagines the button as an object that has outgrown its practical purpose, elevating it into handcrafted sterling silver jewellery.

Using dinanderie, a traditional metal-forming technique, Clara Plaut moves bespoke pieces beyond their role as an accessory to become an element in their own right. Shaping the volume directly from the material, she approaches adornment as an extension of personality rather than of the body, contributing to the presence of the person who wears it.

Clova Rae-Smith is a British jewellery designer based in New York City. Through her meticulous hands on process, Rae-Smith creates sculptural pieces that investigate the relationship between the body and material. Her work is characterised by fluid, organic forms paired with technical precision, resulting in jewellery that exists between adornment and sculpture.

Working primarily with silver and 18k gold, Darin Hachem's visual language takes the form of nature vs construction. Drawing on her African and Middle Eastern roots, organic forms translate into precise, tactile designs that blur the line between the scientific and the expressive. Creating an intentional contrast in matte and shiny finishes allows Darin Hachem to explore societal concepts of beauty, bringing forward what is usually hidden and neglected.

Hana Mulaku is a London-based jeweller. Her work is informed by the quiet architecture of oyster farming — rack systems, tidal structures, cultivation cages — Mulaku's work holds the tension between organic and geometric, industrial and precious.

South African jewellery designer and craftsman Ntokozo Mngoma creates contemporary pieces rooted in storytelling, culture, and personal experience. His geometric designs are shaped through in-depth research, combining natural forms with fine jewellery techniques to create work that is both distinctive and meaningful.

Inca Starzinsky is a London-based artist and designer. After graduating from the Royal College of Art, she wanted to make work that would incorporate her background and knowledge from graphics, screen printing and textiles. Eventually she applied these techniques to jewellery making, which helped her realise her designs and love for paint and colour in sculptural forms.

Joel de flores works from an autobiographical position, using lived experience as both material and method. Death appears as a presence rather than an ending — something that runs through the living and holds it open. The pieces do not represent the body; they extend it, frame it, and listen to it. Porcelain, textile, and metal construct a fragile system of tension, balancing between protection and fracture.

The Australian, USA-based artist looks to combine intricate metalwork with pop culture and critical theory. He holds a particular focus on the psychological influence of the manufactured world, considering how makers might be able to shape cultural practices toward alternative, ecologically conscientious ways of being.

Joshua MacGregor, a graduate of Central Saint Martins, creates fine jewellery inspired by his Nigerian and Grenadian heritage. Drawing from cultural narratives, lived experiences, and everyday observations, his work transforms jewellery into a medium for storytelling. Each piece balances refined craftsmanship with conceptual intent, inviting dialogue while expressing themes of identity, memory, and human connection.

Khushi Surana, a graduate of the Indian Institute of Gems & Jewellery (IIGJ), creates contemporary jewellery in 14k gold-plated sterling silver inspired by India's cultural and spiritual heritage. Through collections such as “Echoes of Rama and Mudra”, she transforms traditional narratives and symbolic forms into elegant, meaningful pieces that celebrate identity, craftsmanship, and timeless storytelling.

Lili Barglowska is a jewellery-maker whose work centers around natural materials and their relation to the cultures which she is a part of. Born in Poland, raised in New York, and now based in London, her experience of cultural fragmentation is the focus of her practice. Lili combines found materials (such as flint from Margate and broken glass from the street), non-precious stones, and ram’s horn with silver to create forms which treat each natural material as precious.

Driven by an interest in line, structure, an perception, Lois Lo continues to challenge traditional jewellery techniques, continuing to develop inventive stone-setting techniques. Drawing on construction methods and product design, she carves and stacks gemstones as architectural elements, creating refined, contemporary jewellery through advanced laser-welding processes.

Margarita creates jewellery from collected stones, guided by their individual character. Her intuitive process reveals each stone’s natural form, resulting in wearable pieces at the intersection of nature, craft, and art.

Jewellery designer Margherita's work is born out of a deep appreciation for the architectural beauty and cultural heritage of Beirut. Through her pieces, she aims to raise awareness and recognition for the slowly vanishing modern architectural heritage in Lebanon, and promote a dialogue about the intersection of architecture, culture, and fashion.

Miles is a London-based craftsperson making jewellery and objects to explore themes surrounding irresolution. His work responds to material histories and craft processes, navigating the inconclusive nature of objects and experiences.

Based between London and Tokyo, Mizuki creates jewellery that celebrates the natural brilliance of metal while challenging conventional ideas of beauty and value. Rooted in sustainable and ethical making, her work combines precision with thoughtful design. Inspired by cut steel jewellery and historical ironwork, this collection reimagines "bling" through hand-faceted 100% recycled silver, proving that striking brilliance can come from the metal itself rather than precious gemstones.

Namju Kim's collection is inspired by the fragile world beneath the sea, this collection reflects the changing colours of coral reefs as they respond to rising ocean temperatures. In moments of extreme stress, corals glow in vivid fluorescent hues before fading to grey—a final stage before death. What appears beautiful is, in fact, evidence of environmental collapse. Through these pieces, Namju asks us to reconsider our perception of beauty and reflect on the cost at which it exists.

Natalie Perry is a fine jewellery designer inspired by Indian craftsmanship and Victorian heirlooms. Following an Isabella Blow Scholarship that took her to India to study with traditional jewellers, she developed a signature style defined by floral gold settings, richly textured surfaces, and responsibly sourced gemstones. Each handcrafted piece is designed as a modern heirloom, celebrating beauty, resilience, and personal storytelling.

Olivia Nash is a jewellery designer and lapidarist working in London. Often beginning with rough stone - she cuts, shapes, and sets each herself. The stone is not treated as decoration but as an internal structure determining the final form. This process gives the work a sense of weight and presence, where each piece retains a connection to its source

Omomochi is a Japanese word that focuses on the delicate, subtle changes in human facial expressions, one of the most complex and intricate abilities humans possess. Mano Katoda realistically carves these expressions into metal, aiming to create works that allow viewers to engage with the pieces in a more raw, vivid, and intimate dialogue.

Influenced by couture traditions and contemporary experimental design, Patrick Taiwo combines advanced digital processes with hand-finished craftsmanship to produce jewellery that is visually striking, conceptually layered, and materially innovative. His practice investigates the emotional and structural potential of jewelry through compositions that challenge conventional notions of adornment.

Render Distanc3, a brand by Andrew Stellitano, takes its name from the invisible horizon in video games, a distant and drifting point beyond reach where the known dissolves into a fluid imagination. Drawing on a background in set design and prop making, Andrew Stellitano's work transforms mixed-media collage into precious metals through casting to create intricate, one-of-a-kind pieces.

London-based jewellery designer Ana Riabokon is the founder of RIAM, a brand that explores emotion through sculptural form. With a background in fashion styling, creative direction, and couture, she brings a distinctive visual language to her jewellery, combining artistic intuition with technical craftsmanship. Developed during her MA in Jewellery and Metal at the Royal College of Art, her practice centres on the Japanese Mitsuro Hikime wax technique, creating tactile pieces that express transformation, intimacy, and the emotions that often remain unspoken.

Ruby Taglight has a background in fine art, training in painting and printmaking. Throughout her studies at the Glasgow School of Art, she fell in love with adornment and subsequently moved to New York to become a gemologist. Upon returning to London, she began her self-taught journey into jewellery making, honouring her roots by exploring lost narratives in historical painting, myth, and architecture, bringing them to life through contemporary jewellery.

Japanese jewellery artist Sachie Katagiri creates sculptural brooches that explore repetition and transformation through a single wave pattern formed in silver sheet. Working with a distinctive technique that uses a tube wringer to press and shape metal into rhythmic forms, her work reflects a sensitivity to material, process, and subtle change, turning industrial methods into delicate, fluid compositions.

A recent graduate of the Royal College of Art, Sandy's work explores themes of protection, aggression, and the engineered beauty of aeroplanes. His practice blends lived experience with historical research, examining contemporary issues surrounding war and conflict.

Sara Hamilton is a recent graduate of the Savannah College of Art and Design whose multidisciplinary background in photography, ceramics, and fibers informs her jewelry practice. Inspired by heirloom jewelry and the artistic traditions passed down through her family, she translates woven textile techniques into handcrafted silver pieces that explore personal storytelling, memory, and connection.

Based between Tokyo and the United States, Saki Onoe creates jewellery that celebrates joy, curiosity, and imagination. Drawing on the cultural language of kawaii, her practice challenges conventional ideas of adulthood, reframing cuteness as a source of care, empathy, and empowerment rather than mere aesthetics. Through Studio MoGa, Onoe creates playful yet thoughtful pieces that encourage women to define themselves beyond prescribed social roles.

Taiki Scharber's practice is marked by an intense dedication to craft, conceptual development, and artistic growth. They draws on master jewelers such as Jean Schlumberger and Claire Choisne for inspiration, as well personal experiences. They aim to translate these influences into sculptural pieces that balance refinement with emotional resonance, grounded in both tradition and experimentation.

Beirut-based designer Miriam Awada is the founder of Yana Joue, a fine jewellery brand that combines playful design with traditional craftsmanship. Working primarily through hand-carved wax and lost-wax casting, she creates pieces in 925 silver and 18k gold that embrace texture, irregularity, and individuality. Inspired by a life shaped between Lebanon and Croatia, her work balances precious materials with spontaneity, often evolving from personal commissions into enduring collections.